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All 50 States Day 8: Delaware!

All 50 States Day 8:

Delaware!

Well, I knew that eventually there was going to be a state I didn’t have a personal picture of. I’ve been to Delaware, I swear! I can still write about it, but I won’t have much to put on instagram <frowny face>.

Keep in mind my rules for counting a state: I’ve had to have performed in the state or spent at least a night there. With Delaware, anyone who’s driven from New York City to mid-Atlantic region cities like Baltimore or DC has driven through the tiny northern tip of the state near Wilmington, but that doesn’t count!

I know of at least two college shows I’ve done in Delaware, the University of Delaware in March of 2001 and a small college called Goldy Beacom College in Wilmington in January of 2003. For the latter show I remember going out to a local bar & grill after the show and seeing an acoustic duo cover band and it was the fist time I think I heard the Jimmy Eat World song “The Middle” all the way through. During the second chorus I joked with the people at my table that if it strictly followed the rules of a pop song it would go to the bridge. It did. During the bridge I said the next rule of pop songwriting is breaking it down for the third verse, and sure enough the song breaks down for the third verse.

I’m not saying this is a bad thing! Standard song structures become standard because they work!

Also, I was reminded by my note in the google map of past gigs I put together (check it out here) that the show at Goldey Beacom didn’t have a sound system, I had to play completely acoustic in a multifunction room. the fun of putting this project together is all the little details!

DelawareMap

Live Stream March 17 8:15 pm! Eastern US

Hey everyone!

Since all of my shows are on hold and most of us are stuck at home I decided to try to put on a live stream show! Tonight, March 17, at 8:15 pm eastern US time (5:15 West Coast US, 00:15 GMT) I’m gonna log on to my brand new twitch channel and play a bunch of Monkees covers!

It’s an experiment! If it works I’ll try to do more of this kind of thing. Join me! We’ll have some fun and play some tunes!

 

Watch live video from RobPRocks on www.twitch.tv

New Online Shop!

Announcing the brand new RobPRocks.com Online Shop!

Our site is now encrypted with an SSL certificate (notice the little lock icon in the address bar) and we’re celebrating our grand opening with a sale and an opening week coupon good for another 20% off! Plus, this is the only place online where the new USB Digital Box set is available!

Also available are limited quantities of Rob’s out-of-print back catalog titles like American Cheese, with classics like Yuppie Camper, He’s Got Coke, and the first audio-only version of Pachelbel, and Don’t Crowd the Plow, Rob’s first CD released all the way back in 1995, with tunes like The Harley Song, I Just Wanna Be Friends, Econobox, and more.

And since we’ll be fulfilling all of the orders right here from Rob P HQ you can even request signed copies of your order! Just put your request in the “Order Notes” on the checkout page and Rob will sign it before we ship it!

Sale prices are good through Nov. 30, 2019, and if you order before Nov. 9 you can use the coupon code 1st1shere to get 20% off your entire order! Introductory shipping prices are a low flat rate of $3 for US addresses and $7 flat rate for shipping outside the US through Nov. 30, 2019 so order today!

5 Years at Q.E.D.!

It’s hard to believe my monthly show at Q.E.D. is about to celebrate its 5 year anniversary! We launched as Don’t Feed the Musicians!, a title I coughed up when putting the first show together, and I renamed the show The Odd Rock Comedy Hour in 2017. That’s 60 installments of comedy, music, variety, video and more! And I only missed one show!

To celebrate we’re… well, just gonna keep doing our thing. Our November show will be Saturday, Nov. 16 at 7:30 and we’ll kick out the jams like we always do. Q.E.D. however, is celebrating their 5 year anniversary (we started the month they opened!) on Nov 4. at 7pm! I’ll be there telling a joke first told at the Odd Rock, along with tons of other comedians, writers, storytellers and more who have performed at Q.E.D. over the years.

Check out the gallery to see some of the people who’ve Oddly Rocked with us over the years!

New Site Design!

We finally pulled the trigger and pushed our site redesign live! There are still some bugs to work out, some of our “load more posts” buttons don’t seem to be working, but a lot of the new pages are here and ready to go. And if you’re looking for an older post that you can’t find, fear not! It’s sill in our database, we just need to get all the links and buttons pointing to the right things.

Give us a few days to get things running smoothly, and after that if there are posts or things you’re looking for that you can’t find or access, let us know and we’ll do our best to track it down.

Thanks for stopping by and enjoy the new site!

This Comedian Made a Fake Commercial Every Week For a Year and No One Really Gave Two S**ts

Comedian/musician Rob Paravonian has to fight through algorithms, pitches for ad buys, and an inundation of competing clickbait just to reach the thousands of fans he’s already made. Such is the current state of social media driving online “content.”

Paravonian is best known for his viral Pachelbel Rant video that made the rounds in the early days of YouTube and which has over 13 million views. He has just completed his year-long 52 Sellout project wherein he wrote, shot, edited, created music for, and posted a new commercial spoof each week. Though the series garnered a small following of devoted fans, it never really took off like his earlier viral hits. None of the videos broke through the Reddit/blogger/aggregator echo barrier and the two highest-viewed videos were reposts of existing commercials for which Paravonian created contrasting music for comedic effect.

When asked if he would have embarked on such an ambitious project if he knew the numbers would be so underwhelming Paravonian shot back “of course! I’m a comedian and a musician, what the ✄✄✄✄ else am I supposed to do?”

After his publicist convinced him to return to the table to complete the interview, Paravonian continued, “sorry. All of these media sites and reposters of comedy are only concerned with clicks and shares, and what’s actually being shared is secondary. It’s kind of frustrating.

“Not to mention that the algorithms are optimized for, well, bull✄✄✄t basically,” he adds, before veering off into a harangue about fake news being the fault of the people sharing it as much as the people making it.

“Back to the algorithms,” I intervene, “do you mean facebook?”

“They’re one example. They want to optimize the amount of clickable s✄✄t that you see, and they’d prefer it if that clickable s✄✄t was somehow still on their site so they can continue to feed you ads. And they actively suppress YouTube links which makes it really hard to get non-facebook-hosted videos to catch on.

“Which is maddening because I have a facebook page with nearly 5,000 ‘likes,’ which means nearly 5,000 people have taken the time to stop by my page and let me know they want to see my work and the links that I share. But every time I post a link facebook asks me if I want to ‘boost’ the post, meaning do I want to pay them money to reach the people that have already said they want to see my stuff? All the while they’re making money by feeding ads to the people that are looking at all the stuff I’ve already posted—with no cut of the ad money going to me, the person who’s creating the work that people are there to see.

“And YouTube? Hell, I have 26,000 subscribers and I’m lucky if I get 300 people to see a new video. No one really knows what metrics go into their recommendation algorithm, though a lot of people have guesses. Some say the biggest factor is watch time, some say it’s how many subscribers watch in the first day. If it’s watch time I’m screwed because all of these commercials are about 1-minute long. I think next year I’m gonna be one of those vloggers who just sits around overreacting to the normal world around me.”

“So, you’re going to be the next React To guy, or maybe the next Pewtie Poo?” I ask.

“Oh, god no. I’m kidding. I came up at a time when we were trying to make art. Not “Art” as a pretentious, museum kind of thing, but art as in something from your soul that has a point of view and tries to communicate to other people.”

“Is there room for ‘art’ in a world of content?” I ask.

“That’s a good f✄✄✄ing question, I’m not sure. If I were a Magic 8 Ball I’d say ‘outlook not good.’”

Despite his frustration with the current workings of the online mediaspace, when asked if he considers the project a failure Paravonian is quick to say no.

“It’s not a failure because I did some really good work. I pushed myself to try different things, I created work I never would have made otherwise, and I put a lot of good ‘content’” he says, with the most sardonic air quotes ever seen, “out into the world, and it’ll still be there tomorrow.”

To date the 52 videos in the series have over 123,000 views on YouTube, 90,000 coming from the two videos in which Paravonian changed the music of an existing commercial (The Amazon Lion Dog ad and the Bacardi house-on-a-truck ad). Another two videos were cross-posted on facebook where they received 3,900 additional views.

 

Pickup Truck Song—52SO Week 2

Bob Seger’s “Like a Rock” was the song of Chevy trucks for over a decade and they haven’t had an iconic tune since they stopped using it. Here’s my attempt at getting that great American pickup truck mojo back!

The video was fun to make, especially since I found some official Chevy B-roll footage at their press site (they shouldn’t mind, should they? I don’t say anything bad, and I’m fair-using by making a statement and using the footage in a transformative way. My legal department assures me that I’m in the clear).

Anyway, I noticed a lot of their B-roll is shot from a low angle, kind of emphasizing the point of my song that there’s an unconscious feeling of status when driving a pickup.  Maybe for the 2017 models they can introduce an Iron Throne options package 🙂

© Paravonian