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June 3, 1996

On June 3, 1996 it rained over 3″ in NYC, a record that still stands. I know this because that’s the day, 30 years ago today, I started a sublet in Hell’s Kitchen and the pouring rain against the urban backdrop that night made me feel like I was stepping onto the set of Blade Runner. Hell’s Kitchen was in the middle of its transition from urban blight to NYC chic and the guy whose apartment I was subletting told me to tell the bus driver from LaGuardia I was headed to ‘midtown’ just to be sure he’d stop for me. I brought a suitcase, a guitar, and a backpack with my brick of a laptop.

Rob with shaggy hair, on stage in a tiny theater holding a slide projector looking at the camera. Next to him is a table with 2 slide carousels and a black case
Setting up a show at Solo Arts Group, 1998

I spent the summer getting my bearings here in the city, doing a few shows, meeting comics, and finding my way to the alternative performance scene on the Lower East Side at Surf Reality and Collective Unconscious. I also pounded the pavement looking for an apartment for a longer stay.

To find an apartment I would go on AOL (LOL) and search the classified ads. I realized the NY Times Sunday classified ads were available online starting on Friday evening and apartment managers were AMAZED at my foreknowledge of their listings. And I still remember a story* the Sunday real estate section did that summer about a young college graduate whose monthly rent budget—with the help of her parents, of course—was $2k ($4,250 in today’s $), which made a mockery of my 500-800 budget with no parental help. Sunday NY Times real estate has been trolling New Yorkers for generations!

I didn’t have a cell phone so I used the apartment’s land line and answering machine for messages, which feels like stone age technology now. I used tokens for the subway because Metrocard readers weren’t yet in every station. I remember when they were finally installed in my Brooklyn station (Union & 4th Ave) in late ’96 or early ’97.

A lot of my Chicago comedy friends said they’d come visit me that summer but only one did: the now well-known W. Kamau Bell, who was pondering a move to NYC. He took one look at the apartment I was subletting and decided to move to San Francisco. The Upright Citizen’s Brigade, some of whom I knew from Chicago, had just set up shop here, and I caught an early show of theirs in a basement theater called The TriBeCa Lab Theater, with Bill Chott subbing for either Matt Walsh or Ian Roberts.

3 people on a Brooklyn rooftop with a blurry Manhattan skyline behind them. left to right: a brunette woman, a brown-haried man, and Rob in a backward baseball cap.
From the roof of my brooklyn apartment in 1997 (or maybe 1998)

There were a few other Chicago comedy people in town, mostly from the improv world rather than the standup scene I was involved in, but it was enough to have some semblance of a social life. My friend Joanne, an actor and high-end hair stylist who hosted some epic loft parties over the years, would check in on me; and my sister’s former college roommate, a broadway actor who helped me get that summer sublet, suffered through the first and last bringer show I was stupid enough to do.

One of the things that prompted the move was my dad passing away at the beginning of 1995. He and my mom had lived in Weehawken for a few years in the early 60s when they were first married, my dad getting his master’s degree while studying method acting with Bobby Lewis, my mom working in an office in midtown (she was a secretary at a chemical company, she said) before giving birth to my older sister.

And here it is 30 years later, about a year and a half after my mom passed away and I’m still here. Do I consider myself a ‘New Yorker’ yet? Let’s not label things, man. There’s always some nativist who needs to work into every conversation the fact that they were born here, as if it were an accomplishment that they themselves achieved when in truth it’s something their parents gave them, like the rent money the college grad in the Times piece got. Whatever. NYC has been home for 3 decades, which is more than half my life and longer than I’ve lived anywhere else.

And the record rainfall on June 3, 1996 still stands.

 

*I found but wasn’t able to reread that story because paywall. Even logging in with google to access a free article only brought up a big subscription window that blocked all of the content and couldn’t be clicked off. Do you have a times subscription? Wanna send me a gift link or the text so I can see if I remember it correctly? Also, the NYTimes subscription window has the audacity to say “support independent journalism”! Oy. One of the biggest corporate news outlets in the country, the one that fully supported the Iraq War, dubya, and has both-sides-ed politics from Clinton to fascism calls itself ‘independent’!?! Eff all the way off!

Schenectady! (Friday, May 8)

Schenectady!

Man, that’s fun to say!

It will also be a fun place to be, Friday, May 8, because I’m headlining a night of comedy and music at the Mopco Improv Theater along with the very funny Bobby Curious! This will be my first headlining set in a while and I’m very excited to be going back to Schenectady to do it.

That’s right, “back” to Schenectady, because I’ve been there before, back in 2009 for a show at Union College, when I drove through an ice-storm to get there and my car ended up looking like it got hit with a freeze ray (see below)!

I also just love saying the word “Schenectady.” I even made a video about it!

So if you’re in the greater Albany/Capital Region of Upstate New York, come on out to this beautiful theater space, that’s a former fire station and once housed an underground strip club(!)

Mopco Presents: A Night of Comedy and Music with Rob Paravonian and Bobby Curious
Friday, May 8, 8pm
The Mopco Improv Theater
10 North Jay Street
Schenectady, NY 12305
$21 ($20 + $1 fee)

2-Mopco-Sq-1600
my poor Honda Civic after driving through ice to get to a show in Schenectady. Jan. 2009

New Live Clip! Song about people-watching :-)

The Tinder Date Song

I’m really happy with this new-ish song and I got great video of it from my recent sets at The Lincoln Lodge in Chicago (boy, those were fun shows!). And now that I’ve decided to post the song on YouTube I’m having that classic comedy songwriter’s dilemma: how do I title this video?

See, the fact that the song is about a Tinder date is the first big joke reveal at the end of the first verse, so calling it “The Tinder Date Song” gives it away. Thankfully that’s not the only joke in the song; my favorite joke is the start of the bridge, or middle eight*.

One of the reasons I really enjoy this song is that the music and lyrics work really well together. The music is upbeat and kind of new wave pop, or at least as close as I can approximate with one acoustic guitar. In my head I’m hearing something along the lines of Elvis Costello or Squeeze. On the lyrics side, I think they cover a lot of ground in 2 minutes, and it’s really fun to have the audience go along for the ride.

I hope you dig it! I’ll eventually work on a studio version where I’ll be able to explore those Costello/Squeeze inspirations to see if they work or if it goes in another direction. If you hear something style-wise in the song let me know! Sometimes a different set of ears helps find the essence of a tune 🙂

 

* song nerdery here: this song is in the classic AABA format (like Over the Rainbow and a million others) and the B section is sometimes called a bridge or “middle eight,” because it’s usually 8 bars in the middle of the song. In this song’s case it would be more like a middle 12 because it’s extended a bit, but it’s my favorite thing about this song because it changes the perspective of the story at the same time the music is departing from the main melody. Then we go back to the A section with a new perspective to close it out. There’s a lot going on in 2 minutes!

A Quick Tour Through My Chicago Comedy Days

While I’m back in the homeland of Waukegan, IL, getting ready for a couple of shows this weekend in Chicago, I took some time to head down to the city to check out some of the places I did comedy back when I lived in the city and starting my comedy career.

Some, ok most, of the places have changed since then, and it was fun, sad, and interesting to see what was in their places. Check it out!

I’m looking forward to adding a new venue to my Chicago comedy history, the new location of The Lincoln Lounge. If you’re free Friday or Saturday, March 6 or 7, 2026, come join me!

20 Years on YouTube?!? đŸ€Ż

When the calendar hit 2026 I made the stunning realization that I’ve been posting videos on YouTube for 20 years!

The Pachelbel Rant, my most popular video by a country mile, was posted in November of 2006, and the earliest video still up on my channel is episode 8 of my Life as a Comic podcast. The first 7 episodes are <no idea emoticon>

To commemorate I put together this video with some background on the Rant, other videos, and a few interesting tidbits from my 2 decades (đŸ€ŻđŸ€ŻđŸ€Ż) on the platform. Enjoy!

My first Newsletter of 2026!

Hey Everyone! Did you know I have an email list?

I do! I send out an update about once a month and I just sent out the first one of 2026. Instead of recreating all of the info in a blog post, I just cut and pasted the bulk of the newsletter below. Mostly so the first post on my site isn’t from November of 2025

You should sign up! I only send about 1 email a month, I promise not to blow up your inbox like everyone other company in the world seems to do, and you’ll be up to date on the latest stuff 🙂

=-=-=-=-

Is the wave of end-of-the-year, Xmas, Black Friday, and New Year emails finally over? Jeez Louise, I’ve been so bombarded by promotional emails I can barely bring myself to do my monthly newsletter!

💌 But here it is, I have found the gumption!

This year will mark the 20th anniversary of my first posts on YouTube, with the Pachelbel Rant video turning 20 in November, and that really boggles my mind! I’m working on some ideas to commemorate the milestone; it’s been an important part of my life and career and I love hearing how people have found and enjoyed it over the years. In the meantime:

Cover Tuesday is back Tuesday, January 13th, 8:15 NYC time! The theme is “Command Performance,” meaning the titles of the songs are commands, like “Don’t Bring Me Down” by ELO, though I won’t be doing that song because I’ve been warned that there would be protests. Plenty of others to choose from, like “Don’t Do Me Like That,” “Wake Me Up Before You Go Go,” “Gimme Three Steps,” and such. It’s the perfect combination of my strengths: dumb covers and grammar nerdery! You can reply to this email with requests/suggestions, i.e. ‘requestions.’

For NYC I have an early warning for a show: Friday, Feb. 13 at ReCirculation Bookstore in Washington Heights (info below). It’s a great songwriter forum and I’ve been working on new songs that I’m excited to try out for the first time, which is a big step for me after my year of mostly creative hibernation.

🚙 I also have a car for the first time in a long time and my goal is to start doing more shows on the road, first around the East Coast and eventually more widespread. I even have a compact PA system that works well in small bars, performance spaces for about 40-50 people, or house concerts, so I’m open to venue suggestions!

Or maybe I’ll just throw the guitar and PA into the car and drive around looking for places to play, rolling in to some dusty, high desert watering hole filled with glum faces, breaking out the ax and asking, “who likes clever and jaunty pop songs?”

If I disappear without a trace, the above plan going horribly wrong is what happened.

Thanks for reading and be excellent to each other!
RobP

Christmas Song Instrumentals (Chord Solos)!

Last winter, while I was mostly skipping holiday stuff and taking care of my mom’s house out of state, I started messing around on my guitar trying to put together an instrumental version of Vince Guaraldi’s “Christmas Time is Here,” that classic mellow jazz piece from A Charlie Brown Christmas. By the time it started sounding good it was mid-January so I’d missed my opportunity to share it during the actual holidays 😜  I set the arrangement aside with a mental note to try to post it in time for the holidays this year.

And I remembered to do it! In fact, I enjoyed working on the arrangement so much I attempted 2 more holiday songs: Mel Tormé’s classic, made famous by Nat King Cole, Merry Christmas To You (aka The Christmas Song, aka Chestnuts Roasting on an Open Fire), and Have Yourself a Merry Little Christmas, the non-jolly Met Me In St. Louis version of which remains my favorite.

And if you’re a guitar player and want tabs of my arrangements, I made some! You can download pdfs of all 3 songs from my store, and if you wouldn’t mind sending me $2 for the effort it would definitely help make my season bright. They’re intermediate level so if you’ve got a little guitar experience and are comfortable reading tabs you should have no problem with them. Heck, you can probably embellish them a little and make them your own! And if you do let me know, I’d love to see what you do with them.

I hope you have a lovely holiday season and if you have a youtube playlist of holiday songs, I think these would fit right in.

And for you gearheads, I’m playing a Gretsch G5622 into Apple Mainstage using the Boutique British Combo amp and the Boutique British 2×12 cabinet miced with a Dynamic 57. There’s a little room reverb using the Space Designer reverb plugin “Diffuse Hall” setting. My audio interface is a MOTU M4 đŸ€“

Cover Tuesday Returns Nov. 11!

We’re Back Baby!

It’s been a while since I’ve had time to do a fun set of stoopit covers, a.k.a. Cover Tuesday, and if you’ve been missing the fun and ridiculousness get ready to get ‘wild!’ We’re back on Tuesday, Nov 11, 8:15 NYC time on my twitch channel!

The idea came about when I was having a lovely conversation with Cover Tuesday regulars Neil and RickyRae and a song with ‘wild’ in the title came up. I thought “hey, ‘wild’ would make a great Cover Tuesday theme!” And we immediately came up with a bunch of ideas for songs that were fun, were from a lot of different genres, and most hadn’t yet been covered on Cover Tuesday. That’s when you know it’s a good theme!

And I’d been thinking about doing a couple Cover Tuesdays (Covers Tuesday?) before the end of the year, it’s so much fun to do and I’ve missed it. And with winter rolling in and people spending more time inside it feels like the perfect time.

So get your requests to me with a few days to get them show ready, you can either email me at info at robprocks dot com, or drop me a message on instagram or bluesky.

A few things while I’m away


As you may now, things performance-wise have been slow for me lately. I’m still dealing with my mom’s affairs, not to mention the life changes that come with saying goodbye to a parent. But I have started to tinker around in the studio, working  on some new and new-ish tunes, here’s a peek!

@robprocks Work in progress in the studio 🙂 a disco-riffic track with mellow overtones and a hint of cheese đŸȘ© #homerecording #musicproducer #disco #originalmusic #comedymusic ♬ original sound – Rob P.

And last month I did a really fun singers in the round show that was streamed live from the stylish Milliron Studios here in NYC, check it out below! Also on the bill were Amy Englehardt, Mark Aaron James, Matt Gronert and a few guests!

My songs are at 23:00, 41:00, 1:05, and 1:30, but if you have time I highly recommend watching the whole thing, everyone’s really good!

I’ll keep you posted on when I’ll be doing more shows and putting out more stuff. And it’s a great time to catch up on anything you might have missed! My whole discography is right here.

Somewhere Else Lyric & Karaoke Video!

Somewhere Else

Are you an American who wants to travel overseas but wants to avoid talking politics and the embarrassment of being attached to Trump and his policies? Then this is the song for you!

I wrote it back in 2017 and I’m re-upping it now because I’m feeling this times a million.

Here’s the lyric video I just made for it. Listen! Laugh! Cry! Sing along!

And here’s a karaoke version, so you can perform it at your school’s talent show! A local open mic! When you’re trying to filibuster fascist bills in the legislature!

And here’s the original official music video from 2017, directed by Victor Varnado and featuring backup dancers!

While I’m very sad this song is relevant again I am proud of the writing and arranging. I recorded the whole thing in my home studio and am particularly proud of the bass track. No timing tweaks! Just punched in where I needed to. It’s so upbeat and frenetic I jokingly referred to it as the “cocaine bass line,” picturing a Tom Jones style lounge band playing a casino in Vegas in the late 60s and chemical augmentation being the only explanation for how the bass part was created.

So take a moment to enjoy the music, and then we’ll get back out there to work to restore democracy.

Cover Tuesday March 11!

Cover Tuesday is coming at ya on Tuesday, March 11, with a new fun set of stoopit covers to add a little love to the world!

This month all songs will have the word ‘love’ in the title; it’s a simple theme so dig deep with those recommendations!

I hope to see you there at the live stream on my twitch channel, replay will be up for 7 days for those of you not able to join live 🙂

Cover Tuesday ‘Love’ Edition!
Tuesday, March 11, 8:15 NYC time
Twitch.tv/RobPRocks

Twitchin’ & Kickin’ with cover songs!

I’ve been lying low lately due to some sad family news, but I’m doing a few things! Like a Cover Tuesday tonight on Feb 4, full of songs with “lost,” “losing,” or “loser” in the title. It’s gonna be a fun set!

I’ll be streaming on my normal twitch channel and for the first time simul-streaming on kick.com, which is basically a twitch clone that’s not run by Amazon. Will it be better? The same? Not even noticeable? We’ll see!

As for The Odd Rock Comedy Hour, it’s on hiatus for the time being. I paused booking the show when QED announced they would be closing; then they announced that they were staying open (yay!) but in the interim my mom passed away, so I’m not gonna have the time or be in town enough the next few months to run a monthly show.

But! I hope to restart the show sometime this year, hopefully in Brooklyn if I can, we’ll see. Stay tuned!

In the meantime, I hope to do a few more live stream shows. And my comedy special is still there, and as relevant ever!

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Two Funny Videos about Economics?

An Economics Duology!


You can’t make fun of American culture without making fun of the way we put commerce above everything. “The business of America is business!” said one of our presidents*. So I’m posting a couple of business-related songs from my recent special as standalone videos, mostly because they turned out really good and I’m proud of them, but also because they compliment each other really well in a one-two punch of satire, digging into some of our underlying cultural beliefs that have formed this culture we’re swimming in .

The Invisible Hand of the Market! đŸ‘»

One of those cultural beliefs is found in the metaphor of the invisible hand—the belief that free markets are guided “as if by an invisible hand” to produce the most equitable distribution of goods and wealth and thus the best of all possible worlds. It’s a belief held by those politicians who tell you regulations are the enemy of progress, freedom, and prosperity. They have an unwavering and almost religious belief that if you let people and companies pursue their self interest things will just work out.

When someone tells you “we don’t need laws telling industries not to pollute, the invisible hand of the market is in control!” it sounds less like economic theory and more like there’s a shadowy villain organization like Spectre or Quantum called The Invisible Hand running things.

So that’s why I wrote The Invisible Hand in the style of a James Bond theme song, with amazing video design by Steven Rosenthal.

Corporations Are People Too!

Another odd economic belief we have here in America is that corporations are treated like persons in the eyes of the law. It’s why a company like Hobby Lobby can say they have religious beliefs that allow them to deny birth control coverage in their health care plan. And it’s also how corporations get away with spending billions to support political candidates: their money is considered speech, to which they have a constitutional right because they’re persons!

This idea of corporate personhood gets so ridiculous I had to make fun of it the best way I knew how: with a sunshine pop animated video in the style of Schoolhouse Rock! Character design and illustration are by my good friend and great artist Dan Pavelich (check out his TeePublic store!)

If you want a little more backstory—and more jokes!—on these topics check out the intro monologues in the full special! Or better yet, check out the whole special! There are songs about the Satanic Panic, Henry Ford, 19th Century minstrel shows and how they kind of relate to current laws that try to control the way we teach the history of race in America


*the full quote is “the chief business of the American people is business,” from Calvin Coolidge, 1925.

Cover Tuesday returns!

Let’s get Stoopit!

I like to do things that are fun and musical on or around my birthday. In the pandemic lockdown year of 2020 I did an outdoor set of music in Prospect Park here in Brooklyn. Last year my monthly comedy show The Odd Rock Comedy Hour fell right on my actual birthday so I had a Studio 54-themed show and party, full of disco songs, fabulous outfits, and comedy!

This year I’m bringing back Cover Tuesday, the weekly cover song live stream I did for 2 years  (bi-weekly the 2nd year) starting at the beginning of the lockdown in March 2020 and running for over 70 shows!

The show will happen on Tuesday (obvi) Sep 24, at its usual time of 8:15 NYC time on my twitch channel and the very self-indulgent theme is songs that are somehow connected to my birthday, which I’ll explain in more detail in the show. It’ll make sense 🙂

I even designed a new emote for the return show: an animated gif of a guitar on fire!

Seriously, how cool is that? If you’re in the chat room it will pop up if you type “robproFlame”

And the old emotes are still in there, the bic lighter (type “robproBic”) and the lag jag (“robproLagjag”), designed to chase away the video lag, which I really hope won’t make a comeback. I have a new laptop and I’ve tweaked my settings for optimum performance!

So join me on Tuesday, Sep 24, for a fun set of stoopit covers, some good birthday week vibes, and hopefully no lag issues!

Nostalgia! Great for music, terrible for policy!

đŸŽ¶ Let’s go back to mid-century
” đŸŽ¶

Recently something said by a member of Congress from Wisconsin caught my ear because it perfectly exemplified the mentality I make fun of in the opening song of my new comedy special. He said he hoped there was a plan in place for January of 2025 to get the country back to where we were in the 1960s. That would be great if you were a 12-year-old Beatle fan but not great if you were black, a woman, a draft-eligible young man, gay, or someone who would prefer not to ponder nuclear war every day.

But nostalgia is about emotion, not facts; and it’s a mixed emotion. It’s like a sad longing mixed with a dose of comfort. And people can not only feel nostalgia for times in their past (even if those times weren’t always great, like middle school) but can feel nostalgia for times they never lived in or things that never happened. That’s because memory and imagination are intertwined in our brains, using a lot of the same circuitry.

“Were those really the days?”

A common ploy of politicians is to take the emotions triggered by nostalgia and use them to gain support. Fascists have used this tactic over and over.

“We must reclaim our imagined past!”

The trick is to mythologize the past, make people sad that the mythologized past doesn’t exist, blame an out group for destroying that past, and use that stoked anger to rise to power. The Nazis did it by creating a mythologized past of Teutonic greatness and blamed its downfall on Romani, homosexuals, and Jewish people. Currently in the US the GOP blames the loss of a past that never existed on “woke,” which is a handy term that can encompass anything they don’t like. Woke starts by meaning the black community, gay community, trans community, and extends to feminists and people who believe in global warming.

So enjoy the emotions brought on by nostalgia when remembering childhood friends, or maybe fairs and events in your hometown, but be wary when someone tries to use nostalgia to blame a group of people for why things suck. If someone wants your support, ask for specific policy ideas, not feel-good imaginings. And when they say that we need to go back to the way things were, find out who they mean by “we.”

“
or is this just a power play hidden in a nostalgic haze?”

And now, please enjoy the stand-alone music video of “Were Those Really the Days?” an upbeat, Brill Building era tune that plays with the idea of nostalgia and its (ab)use by people seeking power. Or better yet, check out the whole special, The American Songbook: Redacted on YouTube!

Irony is even more dead

A song I wrote as a joke 16 years ago is basically the GOP platform of today.

It was 2008. A presidential election year. Sarah Palin, a half-term governor from Alaska and John McCain’s surprising pick as a VP candidate, was constantly talking about “real America,” or “pro-America parts of America, creating the unspoken assertion that there were parts of America that weren’t real or were anti-America.

To clarify what she meant by “real America” Palin would say things like: “We believe that the best of America is in these small towns that we get to visit, and in these wonderful little pockets of what I call the real America.” 1  You know, the folks! the rural folks!

Yeah, we know. Appealing to these archetypal rural folks—the volk! Volkisch!—has been a tactic to build support since early 20th Century Germany.

On the surface these appeals to Americana looked like it was all apple pie and Chevrolet but I could feel that undercurrent of resentment. The othering of anyone who disagreed with them. The delegitimizing of people who weren’t in their in group. That was the unspoken implication in the GOP’s message.

So as a satire I wrote a song that blatantly spoke that unspoken implication. My hope was that by calling out the underlying worldview of those folkish appeals the general public would see the dark direction in which that worldview pointed. I thought it was a pretty good satire. Salon even called it “Funny, and bold.” (emphasis theirs)

Well, here it is 2024 and this song is basically the Republican party platform. I listen to it now and think, “this is what they’re saying out loud.” The die-hard right wingers saw the dark direction of those folkish appeals and said, “yep! That’s for us!”

This is what we mean when we say irony is dead.

My video-making skills have improved in the intervening 16 years, check out my latest work in my special “The American Songbook: Redacted!” 11 music videos inspired by US History and culture.

© Paravonian