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New Live Clip! Song about people-watching :-)

Screen cap of Rob on stage playing guitar. YouTube 'play' logo in upper left, vignette around photo, slight horizontal video glitch effect on background

The Tinder Date Song

I’m really happy with this new-ish song and I got great video of it from my recent sets at The Lincoln Lodge in Chicago (boy, those were fun shows!). And now that I’ve decided to post the song on YouTube I’m having that classic comedy songwriter’s dilemma: how do I title this video?

See, the fact that the song is about a Tinder date is the first big joke reveal at the end of the first verse, so calling it “The Tinder Date Song” gives it away. Thankfully that’s not the only joke in the song; my favorite joke is the start of the bridge, or middle eight*.

One of the reasons I really enjoy this song is that the music and lyrics work really well together. The music is upbeat and kind of new wave pop, or at least as close as I can approximate with one acoustic guitar. In my head I’m hearing something along the lines of Elvis Costello or Squeeze. On the lyrics side, I think they cover a lot of ground in 2 minutes, and it’s really fun to have the audience go along for the ride.

I hope you dig it! I’ll eventually work on a studio version where I’ll be able to explore those Costello/Squeeze inspirations to see if they work or if it goes in another direction. If you hear something style-wise in the song let me know! Sometimes a different set of ears helps find the essence of a tune 🙂

 

* song nerdery here: this song is in the classic AABA format (like Over the Rainbow and a million others) and the B section is sometimes called a bridge or “middle eight,” because it’s usually 8 bars in the middle of the song. In this song’s case it would be more like a middle 12 because it’s extended a bit, but it’s my favorite thing about this song because it changes the perspective of the story at the same time the music is departing from the main melody. Then we go back to the A section with a new perspective to close it out. There’s a lot going on in 2 minutes!

Crowd work clips are all the rage!

If you, like me, follow a lot of comedians on instagram or tiktok, you’re seeing tons of clips of comics doing crowd work at their shows. It’s almost to the point that anytime someone in the audience coughs the comic rushes to react so they can post the clip on their socials, just to keep the flow of ‘content’ going.

Crowd work clips are so prevalent the Washington Post even mentions them in their article about tiktok and standup! (That’s a gift link to get you through the paywall, because I’m a giver!)

Crowd work has never really been my thing but I can’t resist making fun of a trend so I wrote a song called “Crowd Work” and left it at that. Enjoy!

Great Big Beautiful World live in studio

One of my favorite songs on The Opposite of Afterglow, the new album from The Green L.E.D.s project, is the bossa nova infused ballad Great Big Beautiful World. It’s probably the one I’m the most proud of too. I really like the chord progression and I think the melody weaves through it and ties it together nicely.

I’m also really happy with the lyrics. Not only do they match the feel of the music, they express something I’ve been feeling a lot the last several years—a peaceful awe of being in the moment infused with a dose of melancholy from being aware of the absolute shit-show we humans make of this place.

Anyway, enough of me talking about it, lemme play it:

Learn how to play the song here!

Back in the day whenever I would post a clip of me playing something, someone would inevitably comment “tabs,” demanding guitar tabs for whatever I played. Since I like this song so much and would be beyond flattered and thrilled if anyone else wanted to play it, I made not 1 but 2 guitar tutorials for it! The first tutorial is for the jazz guitar version I play here, the second is an acoustic guitar version that uses more open chords and is a little simpler. (It’s the acoustic guitar part layered in the background of the studio recording). Check ’em out and play along!

Beep! Beep! Outta the Way!

A little song about Henry Ford

We all know Henry Ford as the car guy, the man who adopted the assembly line, made affordable cars, and whose company changed transportation and manufacturing, but did you know he had some strong opinions about music?

He hated the popular music of the teens and twenties, what was starting to be called jazz. He thought it was crude, vulgar, a bad influence on young people, and he blamed its popularity on a Jewish conspiracy. He blamed a lot of things on the Jews. So many, in fact, that he bought a newspaper and had them publish a weekly anti-Jewish column. It ran for 91 weeks.

Musically the old man preferred the old timey music he found wholesome so he heavily promoted square dancing and fiddle contests. Did you take square dancing in grade school gym class? Thank Henry Ford.

So I figured the best way to make fun of all of this ridiculousness would be to write Henry Ford a 1920s-style jazz song. It’s featured in my new show The American Songbook: Redacted!

© Paravonian